IRA SCHNEIDER www.ira-schneider.com born in New York City E-mail: ijs99@yahoo.com Education 1964: Univ. Wisconsin, Madison-M.A./Magister-Physiological Psychology Philosophy of Science; 1961: Ludwig Maximilians Uni., München-Art History, Philology, Literature; 1960: Brown University, Providence, Rhode Island, magna cum laude, phi beta kappa, B.A.-Experimental Psychology, Comparative Literature; Videos: documentary (D) / art (A) / installation (I), * = “Information Collage“, style of combining audio & visual data; all PAL color, except where otherwise stated: 2009 “Endangered Species“ 14:33min (A), “H2O #12“ 7:26min(A);“H2O#10a,b,c“ 17:21 (A),“H2O#11“5:23(A); “H2O #9“ Music: Steve Reich, 4:51min (A) 2008: “Fact and Artifact“ (D)* 28:30min; “H2O #6“, 6:47min; “H2O #7“, 16:57min, (A); “H2O #3.5“ 1:57min (A); “Arizona Desert“, 21min (I); “More or Less Related Incidents in Recent History“ (A)* 37:54min., Patti Smith (D) 38:40min 2007: “Songs by Janis Joplin“ (1968) (D) 11min; “H2O“, music: Werner Durand (A) 9min, Songs by Jimi Hendrix (1968) (D) 10 min, “H2O #2“, music: Alvin Curran, (A) 10:45min; “H2O #3“, “H2O #4“, “H2O #5“; “4 Seasons in Venice“ (I) 2006: “In and Out of Context“ (A)*, 58:30min - an information collage 2005: “More or Less Related Incidents in Recent History“ (A)* 39min.; “- + 2005“ (A), 28:30min - an information collage 2004: “2+2=4“ (D) 30sec. 2003: “The Two Woodstock Festivals of 1994“ (D) 24min. 2002: “Bob Rutman, Artist, Musician, instrument maker“ (D) 60min. 2001: “TV as a Creative Medium“(D) from 1969,11min. b/w, “Vision & Television“(D) from 1970, 35 min. b/w. “Brazil, the Sleeping Giant“(A/D) 58 min.; 2000: “How Bill Viola Does It“, (A) 2minutes; 1999: “Schneider heiratet seine SONYa“, (A) 3minutes; “Schneider Marries his SONYa“ 3 min. 1998: “Nam June Paik is eating Sushi in South Beach (Miami, Florida), (A) one minute; 1997: “The Frantic Pedantic Semantic Antic“ (A) sound & color added to original 1965 silent film, 8 min. 1996: “Mr. Fluxus“, Memorial to George Maciunas, May 1, 1996, Wiesbaden w. many Fluxians (D) 2hrs. 1995: “Datenraum Deutschland“, (I) edits of 16 Bundesland tapes about past & present cultural expression, visitors walk on large (16x12m) map of Germany, 16 tapes play simultaneously 1994 “The 2 Woodstock Festivals of 1994“ Saugerties – Bethel, N.Y., (D), 1 hr. selection w. Martin Hamlet 1993: “Das Vereinigte Deutschland“, sampler of the videos for the 1995 installation, (D), ca. 30 min. 1992: “Video Skulptur“, (D) of the 1989 group video show, Kunstverein Köln, ca. 40 installations, 30 min. 1992: “Neil Williams“s Wake“, (D) F.Stella, J.Schnabel, Viva, Ultraviolet, Taylor Mead etc. attended, 70 min. 1991: “John Campbell“ great blues guitarist at Nells, 14th St. N.Y.C., (D), 2 hrs. (NTSC) 1990: “Music from the N.Y. clubs- J. Campbell at Nells, “Mystic Chain“ at the BBQ, 4 hrs. 1989: “The World Trade Center“, (A) animation, 30 seconds 1989: “People walking through the Berlin Wall“, (A) trick, Aug. 1989, shown in Kongresshalle Berlin, 5 min. in “Wipe Cycle“, (I) by I.S. & F.Gillette, part of “Video Skulptur“ group show, Aug.27-Sept. 27, 1989, (NTSC); 1988: “A Day at Copacabana Beach“, (A), Rio folk culture at the beach, 12 min.* 1987: “The New York City Parking Game“, (A), complicated rules & heavy penalties, happy ending, 10 min. 1986: “Either a Honeymoon or a Forced March“, (A) manic trip, Paris, Italy, Yugo., Austria, Germany, 1 hr. 1985: “Bigelows Luncheonette Closes Forever“,(D) the Village, loses a favorite meeting&eating spot, 26min. 1984: “TV as a Creative Medium“(D) the first group videoshow in N.Y. 1969, Howard Wise Gallery, 10min. 1984: “The 11th. Greenwich Village Halloween Parade“, (A/D), archetypal all saints day, 36 min. 1984: “A Weekend at the Beach, w. Jean-Luc Godard“, (A/D), W. Wenders, H. Müller, etc. 1978, Calif., 7min. 1980: “TIMEZONES“, a reality simulation, (I) 24 videos, 30 min. of each time zone, played simultaneously giving the feeling that one could see all over the world at the same time; 1978: “Some Scenes in Southern California“, (A), landscapes & mellow culture, 13 min., (I) with below;* 1977: “Several Minutes of Several Days in the Hamptons“, N.Y. beach culture, 13 min., (I) with above, b/w;* 1976: “Echo“ (A/D/I), doc. of visual (Video) echo installation, Syracuse N.Y., 12 min. 1976: “More or Less Related incidents in Recent History“,(A/D) mix of 25 yrs. of news, war, culture, 41min*. 1975: “Bit, Chunks, and Pieces“, (A) prototype for video disc on American culture,b/w,50min.,(I)Video 75*,(NTSC); 1974: “Manhattan is an Island“, map (I), experience all Manhattan in one space, 6 tapes simult., b/w, 1hr.* 1974: “Gregory Bateson“, (D), lecture on biology & culture, Lehman College, N.Y., b/w, ca. 60 min. 1973: Richard Serra, installing sculpture at the Staedlik Museum, Amsterdam, (D), b/w, ca. 5 min. 1973: “The Boring Years“, (A) city & country contrasts, with Beryl Korot, b/w, 5 min.* 1973: “The Fourth of July in Saugerties“, (A/D) typical American celebration, w. B.Korot, b/w, ca. 5 min. 1970: “Media Primer“, (D) relationship of media to American culture, b/w, 30 min.* 1970: “Steve Miller Group, The Who, Mountain, Jefferson Airplane at the Fillmore East, b/w, ca. 30min. each (NTSC); 1970: “Buckminster Fuller“, (D) rap on the history of civilization & ecology, b/w, 35 min., director/editor; 1969: “Abbie Hofmann“(D), rap on the Chicago 8 trial & America, b/w, 20 min. producer & sound; 1969: “The Rolling Stones free Concert“ at Altamont, Ca., (D) subject of “Give Me Shelter“, b/w 3 hrs. 1969: “The Woodstock Festival“, (D) backstage, crowds, sociology, b/w, 60 min. 1969: “Wipe Cycle“, (I) with Frank Gillette, two 30 min. edited tapes, 2 video time delays, 1 live camera, mixing the audience into the art work as active participants (NTSC); 1969: “The Ohio Tapes“, (D/A) farmers, students, performance, America, with Frank Gillette, b/w, 9 hrs.(NTSC). Solo video & photo exhibitions, screenings & presentations / Installations, lectures, seminars: 2008: Emily Harvey Foundation/NYC, video screening 2007: Anthology Film Archives/NYC, Münzsalon/Berlin and Emily Harvey Foundation, NYC - video screenings; Wewerka Galerie and Lacoq Galerie, video installation and photographs 2006: Walden Galerie, Berlin - video & photography; Hannah Höch Preis, Ausstellung Neuer Berliner Kunstverein 3.11. - 17.12. 2005: Art Center, Berlin video screening 2004: Zuviel TV, Berlin, Joselite Centrum, Berlin 2003: Linc Art Gallery, San Francisco, photos, digital prints, videos 2002: ZKM Karlsruhe, selections from the video archive 25.4-2.6.02,Galerie Blickensdorff, Berlin, Videoscreening 2001: Studio 63, Berlin, video + photos, Neuer Berliner Kunstverein, Screening & lecture 2001: Studio 63, Berlin, retrospective, Soul Kitchen/ Rock“n Roll photos & Art Photos, Berlin 2000: Photo Exhibitions Kuckucknest Galerie, Bambibar Nightgallery 2000: National Galerie, Prag, Art Akademie Budapest, HDK Berlin 1998: Humboldt Universität, Lecture and video screening; 1998: Neue Berliner Kunstverein, Berlin, Lecture on early Video Art +video examples; 1997: Institut Galerie & Kaufladen, Berlin, video screening & installation; 1997: Anthology Film Archive, N.Y.C., 3 evenings of video screenings; 1996: Shift Galerie, Berlin, screening; 1994: Akademie der Kunst, Saarbrücken, presentations and seminars; 1994: Hochschule für Gestaltung, Karlsruhe, Ernst Moritz Arndt Universität, Greifswald, Schule für Gestaltung, Basel & Städel Schule für Kunst, Frankfurt a. Main., screenings & Lectures; 1993: Akademie der Künste, Düsseldorf, screening & lecture; 1992: Konrad Wolf Film School, Babelsberg, Germany, presentation; 1992: Night Light TV, N.Y.C. cable-tv show, presentation; 1988: Casa da Cor, Sao Paulo, Brazil, lecture & presentation; 1988: Museum of Image & Sound, Sao Paulo. installation; 1986: Hochschule der Künste, Zürich, Schule für Gestaltung, Basel, Kunst Museum, Bern, Kunst Akademie, Luzern, Centre Culturelle, Geneve, lectures & screenings; 1985: Institute for North American Studies, Barcelona, University of Barcelona, lectures & screenings; 1983: American Center, Paris, presentation & seminar; 1981: University of California, San Diego, screening & lecture; 1981: Whitney Museum of American Art, N.Y.C., “Timezones, a reality simulation“ installation; 1980: Everson Museum, Syracuse, N.Y. “Timezones“, 24 tapes, one from each zone played simultaneously; 1980: Hochschule der Kunst, Berlin, summer video art production workshop, “Berlin is an Island“; 1979: Environmental Communications & Some Small Business; Venice, Ca., installation; 1979: Boston Film & Video Coop, installation & presentation; 1978: Hochschule der Kunst, Berlin presentation; 1978: AVZ GRAZ, Installation & lecture; 1978: Anthology Film Archive, N.Y.C., “Echo“ installation; 1977: Whitney Museum of American Art, N.Y.C. “Manhattan is an Island“ installation; 1976: Synapse, Syracuse University, N.Y.C. “Echo“ installation; 1975: The Kitchen, N.Y.C. “Video 75“ installation,9 videotapes simultaneously; 1974: The Kitchen, N.Y.C. “Manhattan is an island“ installation 1974: Museum of Modern Art, N.Y.C. screening; Museum of Contemporary Art, Houston, Texas, screening; Teaching: 2002: Hochschule für Gestaltung, Karlsruhe, Gastdozent 1994: Akademie der Künste, Saarbrücken Seminar; 1988-1992: Cooper Union Associate Professor; 1980-1988: Cooper Union for the Advancement of Science and Art, N.Y.C., Assistant Professor 1980: Visiting Artist, Hochschule der Künste, Berlin; 1976-1980: Visiting Assistant Professor, University of California, San Diego; 1974: Video Production, Lehman College, N.Y. Group shows: 2008: Strictly Berlin; VIVA Video Festival, Amsterdam 2007: Strictly Berlin, Galerie der Künste and Zur Möbel Fabrik, Berlin: video screenings; Lecoq Galerie: Photo 2006: Strictly Berlin, Galerie der Künste, Videoscreening; Marl Videofestival, Kunsthalle Göppingen; Exhibition “Radical Software“, Wattis Institute, Cal. Collage of the Arts, San Francisco; Reina Sofia Museum, Madrid: Video Installation “Manhattan is an Island“ 2005: ZuvielTV, Art Salon Berlin; Kunstfilm Biennale premiere, Köln, Zamek, Poznan 2004: Nikolaj Gallery, Copenhagen-Max's Kansas City Club Show 2003: Kunstpunkt Berlin, with Emmett Williams/Ann Noel, photos & videos 2002: Kunstpunkt Berlin, videos 1999+2000: Art-Forum, Berlin 1998: Museum of Modern Art, N.Y., 1997: Art Forum, Messe Berlin, Art Club Berlin; 1994: Whitney Museum of American Art, N.Y.C. “TV as a Creative Medium“, 25th anniversary of the first video group show in N.Y.C. (1969) at the Howard Wise Gallery, with Nam Jun Paik, Frank Gillette Paul Ryan & others; 1994: America Haus, Berlin, Fulbright meetings, “Wanderungen durch die deutschen Länder“ installation preview 1991: The Kitchen, N.Y.C. Raindance Foundation 20th. anniversary exhibition; with Beryl Korot, Frank Gillette, Paul Ryan & Davidson Gigliotti; 1989: Kongresshalle, Berlin, Video Sculpture, ca 45 installations, “Wipe Cycle“ with Frank Gillette; 1989: Kölnischer Kunstverein, Video Sculpture, ca. 45 installations, “Wipe Cycle“ with Frank Gillette, also works by Paik, Kubota, Oursler, Shaw, Campus, Levine, Schwartz, Graham, Muntades & more; 1985: traveling show, Time, the fourth dimension in Art, at The Barbican Center, London, Museum Moderne Kunst, Wien, Museum Nouvelle, Lyon, & Kunsthalle, Mannheim, “Timezones“; 1984: Palais de Beaux Art, Brussels, Time, the fourth dimension in Art, “Timezones“ ,( tapes from the 24 timezones-see all over the world at the same time) & works by Duchamp, Man Ray, Paik, Monet, D. Oppenheim, Rodin & others; 1980: Winter Olympics, Lake Placid, N.Y. “Timezones“& works by Paik, Gillette & others; 1975: Kennedy Center, Washington, D.C.; 1975: Institute of Contemporary Art, Philadelphia; 1974: Museum of Contemporary Art, Chicago; 1970: Rose Art Museum, Waltham, Mass. “Random Interlace Content Electronics“ (works by Videofreex, F. Gillette, Paik, P. Ryan & others); 1969: Howard Wise Gallery, N.Y.C., TV as a Creative Medium, “Wipe Cycle“ with F. Gillette (works by Paik. Paik/Charlotte Moorman, Paul Ryan, Aldo Tambolini & others). Photography collections & gallery shows 2007: Tarquin Callen, Paris 2007: Petra Schilcher, Graz: Rock'N Roll Series 2005: Rachel Haferkamp Galerie, Cologne 2004: Klick Cinema One man show, Berlin 2003: Kunstpunkt Berlin Abstract, Nature&satiric photos 2002: Abstract photos in Alexander Osang Family Collection 2001: Studio 63 Berlin,retrospective, Soul Kitchen/Rock,Berlin N“ Roll photos,& Art Photos 2000: Photo Exhibitions Kuckucknest Galerie, Bambibar Nightgallery 1999: more photos in Artothek NBK 1998: Photos in Neuer Berliner Kunstverein collection; 1998: One man show of limited edition photos,photocollages,& posters,Kunst/City Galerie,Berlin 1992: 24 “abstract impressionistic“ photos in permanent collection, Quarterdeck Inc. RCA bldg., N.Y.C. 1991: 10 “abstract impressionistic“ photos in permanent collection, Kenneth Laub Real Estate, N.Y.C. 1990: Salmagundy invitational group show, N.Y.C. 1987: Wiener Secession, group show, Vienna Film: (16 mm) 1968: “I“d Rather be Half Right than Vice President “color, sound, 5 min., St. Lawrence College-prize; 1967: “The Ghost of Wittgenstein“ color,sound,10 min.,scipt by prof. Ray Lucas, Foothills College-prize 1966: “Lost in Cuddihy“ color,sound, 13min.(60“s culture)National Student Assoc.-prize,MOMA archive; 1965: “Peanut Butter on My Roof“(edited by David Brooks)color,sound, 10min.,(voice of Andy Worhol); 1965: “IS“ color silent loop, 6min.; “Hip Au Go Go“b/w,sound, 4min.(dance party-Madison, Wisconsin) 1964: “The Frantic Pedantic Semantic Antic“,b/w & color, silent, 8min., (an absurdist, happening film) 1963: “The Great Suds Your Suds Robbery“,b/w, sound 3 min., (comedy) 1962: “The File Cabinet of Dr. Saborin“, b/w. silent, 3 min., (mad Scientist). Comic performance/happenings/perpertrations: 1964: “Leafmobile“, fallen leaves (October) pasted (klebt) on “55 Chevrolet (except windows & chrome), we rode around Madison, Wisconsin, wearing hats with feathers, waving out the windows, 1959: “Exam Stress“ friend taking four, 3hr.exams in 2 days says he will pass out (ohnmächtig) after. In a large exam hall, he turns his exam in, returns to his seat & falls on the floor, people notice, at once two men in white lab coats with stretcher (Krankentrage) rush in & carry him out of the hall, amidst astonishment. 1959: “Study Stress“, in library shortly before exams, students study in large room, where books, specially for the exams may be read, but only taken out for 3 hrs. (We secretly place one of my books with 3 hr. sticker on the shelf.) Later, an accomplice takes that book to the check out counter, I rush in & rather loud say I must see the book for 5 min. My accomplice says no. We fight over the book / it rips in half, all are astonished. The librarian says we must pay. Each puts his half in a different return slot. As the librarian goes for the 2 book halves, we run out. We hear loud laughter. 1959: “The Random Sonata“, Chalk was thrown at a blackboard with music staves on it. Wherever the chalk hit a note was placed. The length of each note was determined by pulling a slip of paper out of a hat. Each slip had a different note length on it, e.g. 1/4, or 1/8, etc. Alvin Curran then played the “Random Sonata“ on a piano of the music dept. at Brown University, Providence, Rhode Island. 1958: “Black Paintings“, an artist, in white smock & beret appears on the Brown University college green. He begins painting a large canvas with a very fine brush & only black paint. After a few hours the canvas is totally black. Among those who gathered was Willoughby Sharp who asked the artist why he used such a small brush. The artist answered: “All painters select from the same colors & the same forms. It is only the brush stroke which differentiates the ordinary from the great painter“. In the weeks following the artist went on to paint, “The Annunciation“, “The Martyrdom of St. Sebastian“, “Madonna with Child“ & more, all black. Grants & fellowships: 2006: Hannah Höch Preis, Berliner Senat 2000-02: Zentrum für Kunst & Medientechnology Video restoration Grant 1993: Fulbright Senior Research Fellowship, Berlin, Germany; 1978: National Endowment for the Arts; 1977: John Simon Guggenheim Memorial Fellowship; 1971 - 1976: grants from the Creative Artist Program, N.Y., N.Y. State Council on the Arts & National Endowment for the Arts. Print: 2007: Art In America, "When Video Was Young" by Joseph Jacobs, May 2007, article (page 120); Art and Social Change - A Critical Reader by Will Bradley and Charles Escher, Tate Publishing in Assoc. with Afterall, p.187 2006: “Ira Schneider: mysteries in reality“, Catalouge, 148 pages, Edition Braus, to order contact Neuer Berliner Kunstverein NBK 2005: N.Y.TimesStyle.5/1/05 2003: Berliner Zeitung 2002: Artforum, May Radical Software 2001: N.Y.Times /Sunday Art Section 1/21/2001. 2000: Berliner Zeitung, Berliner Morgenpost 1997: chapter in “Kunst und Zeit“, ScanegVerlag, München,Von H.Paflik- Huber 1976: “Video Art, an Anthology“, Harcourt Brace Jovanovich; N.Y., Co- editor with Beryl Korot; 1970-1974: “Radical Software“, Raindance Foundation, N.Y., Co-founder, Co- editor with Beryl Korot & Michael Shamberg. www.radicalsoftware.org